Beauty suggestions for Glastonbury that don’t include cultural appropriation


It’s Glastonbury; it’s gonna be sunny for as soon as, Stormzy is headlining, you’ll be surrounded by way of all your friends and maybe even someone you fancy. Of direction, you want to look exact; you need to appearance extra than right, you want to communicate the blasé, unfastened-spiritedness that only comes from intense planning. But it’s 2019; culturally insensitive splendor props and unsustainable glitter truly won’t do. Don’t be that individual; you’re higher than that. We get it, it’s tough (now not the culturally insensitive stuff. It truly is simply apparent), we mean finding something easy to apply, is competition suitable, seems fiyah on, will nourish your pores and skin, and gained’t damage the planet within the process. So we’ve placed a little list collectively that will help you in your manner. Happy competition!

Beauty suggestions for Glastonbury that don’t include cultural appropriation 1

From virtual artists to photographers, body sculptors, and hair stylists to makeup and nail artists, we profile the creatives tearing up the rulebook of their respective industries in our Spotlight collection.

Born and raised in sunny Southern California, Susie Sobol can retrace her earliest splendor memories to her mom, who she used to observe putting her hair in rollers as she got geared up to exit. When the coast changed into clear, Susie might then raid her mom’s make-up bag and take a seat in front of the mirror, replicating her appearance.

After schooling as a makeup artist with MAC, Sobol landed her dream position in 2010, supporting makeup artist Diane Kendal. “It turned into fairly pleasing and humbling,” she says. “That adolescence had been quintessential in helping me emerge as the artist I am nowadays and in securing my area inside the industry.” Since going out on her personal, Susie has created for everybody from Chloe Moretz and Edie Campbell to Ashton Saunders and Jaden Smith for the quilt of Dazed and bagged campaigns for the likes of Helmut Lang, Glossier, Bulgari, Proenza Schouler, and Sacai. Showing no signs of slowing down, here we speak to Susie about the Met Gala, the position of generation in beauty, and her hopes for a sustainable destiny.

Susie Sobol: I’ve loved makeup for the reason that I can take it into account. My mom became quite glamorous. In the early days, I would watch my mom do her make-up. It becomes so 80s! She constantly wore forest green eyeshadow and had the best-feathered hair. I’d spend time by myself in the front of my full-duration mirror, sitting cross-legged with a pile of her make-up at my feet. I might observe every product with such care and announce what I turned into doing with each step. I would slowly see myself rework. I loved breaking down the “how-to” of my look after watching my mom and sisters do their makeup. I bet I changed into manner beforehand of my time…YouTube hadn’t been invented, but!

Growing up, what knowledgeable your understanding of splendor and identity and the way you presented yourself visually?
Susie Sobol: I always cherished Vogue and Harper’s Bazaar in excessive college. After all, I grew up in a household full of ladies, and we were given tons of magazine subscriptions. I watched and copied my older sisters as they were given perms and laid out on our roof sporting the handiest baby oil and the use of lemon juice and hydrogen peroxide to lighten their hair. I would tear out pics of Carolyn Murphy, Shalom Harlow, and Linda Evangelista out of magazines and tape them up on my closet doorways. I loved how they could alternate their hair and make-up and end up with these exclusive characters.